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Confrontational Ceramics, by Judith S. Schwartz
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Those who associate ceramics with functional vessels or charming knick-knacks are in for a shock. Clay may start out soft, but in the right hands it can deliver a hard blow. From British Toby Jugs to Marcel Duchamp's Fountain to a wall of gruesome tiles that forms a portrait of President George W. Bush, ceramic art has the power to provoke and subvert.
Confrontational Ceramics surveys the work of contemporary sculptors, potters, and mixed media artists who have turned the ancient medium of clay into an articulate vehicle for political and social commentary. Educator and curator Judith S. Schwartz gathers the works of more than two hundred artists from thirty different countries into a glossy full-color overview of the radical ceramics scene. Provocative pieces from makers such as Grayson Perry, Robert Arneson, Richard Notkin, Howard Kottler, as well as newer talents, address personal, social, and geopolitical injustices from rape to racism. In their own words, these bold artists discuss the outrage behind their outrageous works. Schwartz provides historical context for current and late twentieth-century protest in the form of ceramics. She also places the artists within thematic groupings: war and politics, the social and human condition, gender issues, the environment, and popular and material culture.
Filled with subtle satire, garish jests, grotesque shock treatments, and moving testaments, Confrontational Ceramics is a radical departure from conventional coffee-table ceramics books on decorative housewares or formal abstractions. This art book will amuse, inspire, and possibly offend art historians, ceramics collectors, and anyone with an eye for the outlandish.
- Sales Rank: #1128303 in Books
- Brand: Brand: University of Pennsylvania Press
- Published on: 2008-08-11
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .90" w x 10.20" l, 3.25 pounds
- Binding: Hardcover
- 256 pages
- Used Book in Good Condition
Review
Judith S. Schwartz is Associate Professor in the Department of Art and Art Professions at New York University.
About the Author
Judith S. Schwartz is Professor in the Department of Art and Art Professions at New York University.
Most helpful customer reviews
0 of 1 people found the following review helpful.
Stunning and informative book
By Truly Julie
Who would have thought there are so socio-political artists working in ceramics? Judy Schwartz has created a stunning and informative book. In the West, ceramics has long been pigeonholed as craft, and not a serious art form. This book goes a long ways in educating the viewer on the potential of clay. It is an honor to be included in Confrontational Ceramics.
Julie Green
Associate Professor
Department of Art at Oregon State University
[...]
1 of 1 people found the following review helpful.
The Most Popular Book in my Classroom
By HHiker
Students in my drawing, painting, and ceramics classes voted Confrontational Ceramics their favorite book. It's an essential books to have in the classroom. My students love to discuss the provocative and strangely beautiful photographs. It's amazing how this book expands their notions about art in general and ceramics in particular. I love the easy to understand text and get lots of great ideas for projects. I highly recommend it.
Jeremy Davidson
Art Department Chairman
Manual Arts High School
Los Angeles, California
1 of 1 people found the following review helpful.
Eye-opening
By Robert C. Cumbow
We always knew writing, painting, drawing, and photography were powerful agents of social comment---but ceramics? Well, yes ... and the use of ceramic art as a means of provocative social and political comment goes back a lot farther than most people might think. Judith Schwartz has assembled an astonishing array of challenging, moving, and forceful pieces of ceramic art, intelligently arranged and superbly photographed. Paging through this book will change the way you look at ceramics specifically and art in general. A powerful and eye-opening collection, worth the attention of anyone who claims to care about art.
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