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The Artist's Garden: American Impressionism and the Garden MovementFrom University of Pennsylvania Press
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Inspired by European impressionist paintings of open countryside, private gardens, and urban parks, American artists working in the years between 1887 and 1920 turned their attentions to the new landscapes being created in the fast-changing cities and rapidly emerging suburbs of their own country. Up and down the eastern seaboard, a middle-class idyll was brought to life with the construction of railways, trams, and parkways that connected city centers to commuter suburbs, whose inhabitants increasingly turned to gardening as a leisure—and predominantly female—pursuit. "The two arts of painting and garden design are closely related," landscape architect Beatrix Farrand wrote in 1907, "except that the landscape gardener paints with actual color, line, and perspective to make a composition . . . while the painter has but a flat surface on which to create his illusion."
The Artist's Garden tells the intertwined stories of American art and the new American garden movement in the years on either side of the turn of the twentieth century. Anna O. Marley and her contributors showcase more than one hundred beautifully reproduced artworks by Cecilia Beaux, Mary Cassatt, William Merritt Chase, Childe Hassam, and others alongside the books, journals, and ephemeral artifacts that both shaped and were products of the garden movement. The volume's lavishly illustrated text considers topics that range from environmentalism to new printing technologies, from the genres of garden writing to the distinctions between public and domestic spaces or American and French impressionism.
Employing the interdisciplinary perspectives of horticultural and art history, The Artist's Garden places special emphasis on the mid-Atlantic region as the epicenter of a national garden movement and offers a new look into the impact of impressionism not on American painting alone, but on the nation's culture at large.
Contributors: Alan C. Braddock, James Glisson, John Dixon Hunt, Erin Leary, Anna O. Marley, Katie A. Pfohl, Judith B. Tankard, Virginia Grace Tuttle.
- Sales Rank: #891905 in Books
- Published on: 2014-12-12
- Original language: English
- Number of items: 1
- Dimensions: 11.30" h x 1.00" w x 8.90" l,
- Binding: Hardcover
- 248 pages
Most helpful customer reviews
7 of 8 people found the following review helpful.
Flowers, Gardens, & American Impressionism, 1887-1920
By artfulusedbooks
This book accompanies the exhibition, curated by Anna O. Marley, at 4 locations: Pennsylvania Academy of the Fine Arts, Philadelphia, Feb. 12 - May 24, 2015; Chrysler Museum of Art, Norfolk, VA, June 16 - Sept. 6, 2015; Reynolda House Museum of American Art, Winston-Salem, NC, Oct. 1, 2015 - Jan. 3, 2016; and The Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA, Jan. 25 - May 9, 2016.
The essay titles, in shortened form, are 1. "American Artists & their Gardens" by Anna O. Marley; 2. "Garden Art in America, 1870-1920" by Virginia Grace Tuttle; 3. "Thaxter, Hassam, & the Aesthetics of Nature Conservation" by Alan C. Braddock; 4. "Nativism in Impressionist Gardens" by Erin Leary; 5."The Garden Painted, Planted, & Printed: Chromolithography & Impressionism in America" by Katie A. Pfohl; 6. "American Impressionists & the Problem of Urban Parks" by James Glisson; and 7. "Women Landscape Architects & the American Country House Garden" by Judith B. Tankard.
Beginning on p. 129, there are 91 color plates. There are brief bios of the contributors, a Selected Bibliography, & an Index.
2 of 2 people found the following review helpful.
Nice book and I like the subject mater but it ...
By LISA B. Bell
Nice book and I like the subject mater but it could have had better reproductions of the paintings. Colors are not accurate.
3 of 5 people found the following review helpful.
This book is probably good for those who want history
By Sharon Schwenk
This book is probably good for those who want history. If you want good or even just acceptable photos of the paintings, it will disappoint. I visited the exhibit at Reynolda House earlier this month, December 2015. I cannot recognize some of the paintings that were so beautiful in person. The quality of the photographs is poor.
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